BEE
In order to shorten the track, we used program ‘Soundtrack
Pro’ this allows us to make the track a suitable length for music video to keep
the audience attention as the original track is over 5 minutes long which will
be hard to make a video for.
We used Photoshop to create lettering at the beginning and
then inserted it with After Effect. We used bold clean font to emphasise the
star image of being modern. This also allowed us to creates stylish opening
which is used in many real media product in this genre.
After we finished the rough cut in Final Cut Pro we went to
shot a footage of trees using Sony NX-5 which is for a green screen sequence in
the studio. We shot the footage in different shot sizes and angle to match the
sequence we did in the studio. We then used Chromakey to erase the green screen
and insert the footage. Using the green screen help us to create a shot that
otherwise will be impossible to create, in the studio as we have limited time
and budget.
We used Color to add blue filter to our shots. This added
cold, dark effect to our music video which suit the style of this music genre
which is usually, quite dark and quirky.
The leaflet is one of the key prop in this music video. In
order to make it we used Photoshop to collage the actor portrait with a picture
of the shopping mall and add a tack line to make it looks like a real leaflet.
This make the narrative more convincing and flow better as we are going to see
this actor later on in music video
Elizabeth
At 0.39 seconds we had our fast transition from Fox’s house
and into the city. It is significant as it represents the beginning of Mr.
Fox’s journey and his adventure to capture the Boss. To accomplish such
transition, we used After Effects to speedup the scenes as well as create this
illusion of the wall which would transfer the audience to another location. At
0.42 seconds, with the use of Final Cut Pro we created a Jump Cut effect to
make the sequence look faster. This added more tension to the overall product
and at the same time complimented the song’s rapid beat. The lighting in
“Trouble in the West” played an important part as we had to stay true to our
narrative. Since foxes are nocturnal animals, the background had to be dark and
represent the night time, so we used After Effects to adjust lighting in the
video and make it look more blue. The dark lighting also made Mr. Fox look more
menacing and mysterious which would entice our audience as the Fox isn’t the
typical protagonist in the story which people would expect. At 0.52 we used
Final Cut pro to fast cut the scenes of Mr. Fox and the Boss, the now intense
beat of the music raised the needed suspense and signified the future fight of
both of these characters. At 1.08 the effect of the blur was used with the help
of After Effects software. The purpose for it was to show it from the bosses
point of view as he was being hit and injured by our main character. Such use
of violence in the video was inspired by many of Skrillex’s music videos,
“Equinox” in particular. For the exterior forest shots which start at 1.13
minute we used Sony NX-5 without the lense adjustment as we wanted to give it a
real organic feel without those studio/performance gimmicks. At 1.18 we used an
After Effects Program, Key Frame Animation notably to merge two shots together
creating a pathway to the performance location, the cave which would set the
beginning of our performance sequence.
Gil
To make sure that the crowd was dancing in sync with the
second drop, we used markers to mark the point on the drop and then matched up
the shot of the crowd to make sure it looked effective. In the studio we used
the Sony FS100, which allowed the focus of different shots to look very
effective whilst filming the crowd or our DJ’s. We also used colour grading, to
bring out the more vibrant colours in order to give our crowd more
youthfulness. In order to get a big enough crowd to give off the impression
that the studio was a real venue, we used social network sites such as Facebook
by sending people messages and making sure they were available. Here we used a
blur on the DJ’s so the transition to the next shot could be more smooth, and
flow nicely. Originally this shot was very slow and did not fit into the track,
therefore we used Final Cut express to speed up the shot speed. . When we used
this crane shot, we had to change the lenses in order to achieve the correct
focal length. Finally we used a blur to bring attention to the inspected logo
which was imported as a Photoshop file.
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